 | ▲ The members of Girls’ Generation are currently in Manhattan, New York City to promote their newly released maxi single in the USA, photo/ billboardk. ⓒ2013 heraldk.com |
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Last month Wonder Girls launched the original soundtrack single, “The DJ is Mine,” for the TeenNick TV movie in which they star. The first episode of the movie aired last week.
Patrick St. Michel, a journalist who wrote an online piece, “Does Korean Pop Actually Have a Shot at Success in the U.S.?,” for American publication The Atlantic, thinks Wonder Girls is on the right track by “trying to woo one of the most profitable pop-music demographics, tweens and early teens.”
“Considering how fragmented the American pop market is, turning attention to the tween market is extremely smart,” St. Michel said in an e-mail interview.
“We see it as a demographic that is the least likely to have formed many biases,” a JYPE representative said on why Wonder Girls is targeting the tween demographic.“Also it is a market that really knows how to enjoy music and culture and avidly consumes pop music.”
Having started off by touring with loved-by-tween hotties, the Jonas Brothers, Wonder Girls is now targeting their market more aggressively with the eponymous TeenNick movie.
“From a tween/teen perspective, I think it would be a success,” said St. Michel of the movie.“The movie introduces the group, establishes personalities and loads up on song-and-dance scenes.”
“More importantly, it treated Wonder Girls like real protagonists,” he added.
In regards to Girls’ Generation’s U.S.-based activity, he said, “They got a big boost from landing on ‘The Late Show with David Letterman’ last week.”
Girls’ Generation’s U.S. debut single and talk show appearances are, in fact, part of a larger, carefully-planned promotional strategy focused on differentiating themselves from the crowd, according to S.M. Entertainment.
“From the very beginning we planned on carrying out a promotional strategy different from the norm,” said a company representative, emphasizing the successfully heightened awareness of the S.M. Entertainment brand through YouTube, Facebook and overseas concerts like those in Paris and New York,
“One can confirm the influential power of Girls’ Generation and of our strategy through the group’s appearances on major American television network talk shows,” said the representative.
Furthermore, according to the representative, in regards to Girls’ Generation, specifically, the group’s U.S. activity including signing with Interscope Records, is part of a bigger global plan that is primarily focused on Asia, not America.
“Not just for Girls’ Generation but for all S.M. Entertainment artists, the most important market is Asia.”
No doubt, Asia is a crucial market for Korean pop, which is why the unprecedented popularity of S.M. Entertainment artists in Europe made headline news last year.
Given that, one cannot ignore the possibility of K-pop catching on in a major way in America, and in St. Michel’s opinion it will not be so much about how Korean pop groups like 2NE1 and Girls’ Generation style themselves as it will be about the music.
“It will come down to how their English songs sound, whether they embrace the maximalist rush present in their Korean singles that has prompted all this media coverage in the first place or they bend to American trends.”
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